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Rachel Thompson, Senior UK Culture Reporter If you’re in the mood for a bit of long-game romance and a good laugh, this is for you. The wider cast, meanwhile, boasts a number of very recognisable faces: Josh O’Connor from The Crown (Mr Elton), Callum Turner (Frank Churchill), Miranda Hart (Miss Bates), and Connor Swindells from Sex Education (Robert Martin) are all among the number. Anya Taylor-Joy stars as Emma Woodhouse, Bill Nighy shines as her endearing but fatalistic father, and Johnny Flynn makes for a very beguiling Mr Knightley.
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Could anything come close to Jeremy Northam’s “badly done, Emma” admonishment?ĭirected by Autumn de Wilde, and written by Man Booker winner Eleanor Catton, this film is an utter joy to behold - and thoroughly enjoyable to 1996 adaptation loyalists. As a diehard fan of the 1996 adaptation of Jane Austen’s 1815 novel, I’ll own up to being a little skeptical on arrival.
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When I went to the cinema to go see Emma in February, little did I know that it'd be my final trip to the pictures for quite some time. With a newfound support base (courtesy of English stage and screen legend Harriet Walter and Game of Thrones' Conleth Hill), Sandra pieces together her new life while trying to avoid the very real demons of the old. A single mother who’s survived domestic abuse, Sandra literally wants to build a new life and home for her daughters, finding unexpected help and community while her abuser attempts to maintain control. Premiered at Sundance and another highlight of the BFI London Film Festival, this highly moving drama centres on the courage and perseverance of Sandra (played with fierce determination by Claire Dunne, who co-wrote the screenplay). Herself is a moving testament to the resilience and strength of women who have experienced domestic violence, and the simple power that comes with helping someone in need. Mamma Mia! director Phyllida Lloyd helms this powerful film, one far removed from those festivities on Kalokairi. Like the rocks that Mary picks away at to reveal the fragile fossils underneath, Ammonite is a film that requires patience, and rewards the viewer richly in return. It complicates Ammonite, makes it harder and thornier but also more interesting. The romance that blossoms between them feels both unexpected and preordained, played out in tender glances and raw lovemaking.īut what might come through even more strongly than the passion is the pervasive sense of loneliness that defines these women - especially Mary, who as played by Winslet seems to wrap her solitude around her like a protective cloak. One is Mary Anning (Kate Winslet), a paleontologist whose gender keeps her out of the higher echelons of her field, even as male scientists enthuse over her findings the other is Charlotte Murchinson (Saoirse Ronan), a wealthy woman unhappily married to one of those scientists, who's put in Mary's care by her husband. On a windswept cliff in 19th century England, two unfulfilled women chance to meet.